Grafton Way Building - atrium, (UCLH) University College Hospital London

 
Held (2021) Triptych 1 & 2 - 6 textile banners

 
Sensed (2021) 60 watercolour studies accompanied by films documenting their making

 
The first work 'Held' explores the unique relationship between patients, loved ones and clinicians, featuring six individuals from the hospital's current haematology community. Originally small in scale, the delicate and intense watercolour studies have been dramatically enlarged. 'Held' (2021) Triptych 1 & 2, consists of translucent textile banners suspended in two groups of three from the atrium's 21 metres high ceiling, each banner is 10 x 2 metres.
 
Each triptych grouping represents a triangle of support around a patient. Each figure, painted as a double exposure, captures different emotions. The groupings of three individuals are held in space, held in a structure of support, held in the balance, in a period of uncertainty, in a time of shared endeavour. The veil-like, translucent textile, makes the vibrant figures visible from both sides. There are no outward indications of which role each figure holds, implying the potential strengths and vulnerabilities of any person at different times in life. They look up, down and across the space and are reflected in the internal glazing of the atrium and can be seen from multiple vantage points. The movement of the banners in the airflow of the space, animates each individual. The changing natural and artificial light throughout the day and seasons, causes the figures to overlap in different ways.
 
The second work 'Sensed', also located in the main atrium, is a panorama of 60 watercolour studies focusing on details of heads, faces and hands. 'Sensed' (2021) explores the sensory communication and dynamics between people during a patient's care. Close-up fragments, expressions and gestures evoke moments of intimate interactions and contact between those involved. Goodwin's process of making each watercolour mirrors aspects of the sensitivity and attentiveness essential in a patient's treatment; studying a subject, entering their world, reading the signs and messages of the body, looking analytically, empathetically and emotionally. The watercolours become evidence of close study and the desire for discovery through human connection. The videos invite visitors to watch the painting process in real-time. The accumulation of small brush strokes suggests the myriad connections and touches that counteract the procedural aspects of treatment. The 33 hours & 33 minutes duration of the moving image cycle, means patients, loved ones and staff who regularly move through the space, will experience the making of different paintings at different times of the day.
 
"In 1990 when I was 18, my closest friend Sarah was diagnosed with leukaemia. During her treatment I made many drawings of her in hospital, a body of work that brought me closer to her and allowed me to spend many hours alongside her, Sarah sadly passed away in 1992. When I was invited at the beginning of the pandemic to create this new commission for UCLH I felt a strong connection to the environment and the stories of those undergoing treatment. It was a privilege to spend the early months of the pandemic making these watercolour studies of some of the most vulnerable people in the UK and their caring relations and clinicians. I wanted the works to present the delicacies, intimacies and expertise of the groundbreaking treatments of some of these life threatening conditions and engage visitors to the space in the human experience behind the care and treatment." - Dryden Goodwin
 
With thanks to the patients, families, volunteers, supporters & staff of the Haematology Unit at UCLH. Thanks also to Simon Tolhurst, Guy Noble, Sara Goldman, Stephen Rowley and Jo Cole
 
The art commission was generously funded by Haematology Cancer Care, UCLH Charity.
 

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Held (2021) Triptych 1 & 2
6 textile banners, each 10 x 2 metres

 
Sensed (2021)
Consisting of: 60 watercolour studies, printed as wall panels, total size 2.5 x 8.4 metres & 60 videos of the watercolours being made, duration 33 hours & 33 minutes

Drawings of Sarah from 1990-1991

Installation documentation 'Held' (2021) Triptych 1 & 2 & 'Sensed' (2021)